bionic angel


The work series "bionic angel" takes as its starting point the future transformation and technological control of human evolution.
Rapid development in the field of so-called "g-r-i-n-technologies" (genetics, robotics, information and nano-technologies) are changing our bodies, minds, memories, and identities, but also impact on our progeny.

These technologies all converge with the aim of enhancing human performance. Prenatal genetic determination enables children to be built to plan. Clone bodies become depositories for ersatz organs whilst manipulation of atomic structure creates new bodies which far outstrip the old ones in terms of robustness, elasticity and durability. The new bodies are adapted to the needs of the highspeed data highway. These developments based on genetic algorithms and neuronal networks mean that biological evolution can now be controlled; they open up the way to a new and superior form of existence for the human being. Such acts of transgression were already implicit in the idealised body images of Greek mythology, which were adopted by the Italian Renaissance as the perfect expression of a radical transformation of the understanding of body, mind and science – secular man became a utopian promise.

Referring to such idealised body worlds from antiquity and the renaissance, the work series "bionic angel" takes up themes of "metamorphosis" from classical Greek mythology as treated by the Roman poet Ovid. Scenarios of creatures in the throes of transformation articulate the inevitability of genetic self-creation in the future of human history. The moment of metamorphosis itself serves as the key metaphor for the technology-driven transformation of the human body in its future post human and possibly immortal existence.


Personally liable:
Michael Najjar

Design concept & coding: Matthias Hübner,
with support by Marco Land

Accountability for content
The contents of our pages have been created with the utmost care. However, we cannot guarantee the contents' accuracy, completeness or topicality. According to statutory provisions, we are furthermore responsible for our own content on these web pages. In this context, please note that we are accordingly not obliged to monitor merely the transmitted or saved information of third parties, or investigate circumstances pointing to illegal activity. Our obligations to remove or block the use of information under generally applicable laws remain unaffected by this as per §§ 8 to 10 of the Telemedia Act (TMG).

Accountability for links
Responsibility for the content of external links (to web pages of third parties) lies solely with the operators of the linked pages. No violations were evident to us at the time of linking. Should any legal infringement become known to us, we will remove the respective link immediately.

Our web pages and their contents are subject to German copyright law. Unless expressly permitted by law (§ 44a et seq. of the copyright law), every form of utilizing, reproducing or processing works subject to copyright protection on our web pages requires the prior consent of the respective owner of the rights. Unauthorized utilization of copyrighted works is punishable (§ 106 of the copyright law).

Our newsletter

With our newsletter we inform you about us and our offers and events, art fair participations and exhibitions in galleries, museums and art institutions. If you register for our newsletter, we will save your e-mail address, first name(s) and last name, as well as any information you choose to provide on a purely voluntary basis. If you do not wish to consent to this, you can unsubscribe by using the link at the end of every newsletter.

You can revoke your consent to the storage of your data, e-mail address and the use of your data to send the newsletter at any time. This revocation can be effected by notifying us:

In the course of the further development of our website, changes to this privacy policy may become necessary. We therefore recommend that you reread this data protection statement from time to time.